What's So Wrong with That

(Brian Hendrix)

A lot of emphasis is placed on girls and guys meeting each other the "right" way now in our overly PC culture. I don't know anything about all of that; all I know is that people are never going to become close and fall in love if they never meet. So meet people how you want, where you want. As long as you respect other people, don't let anyone tell you what to do. This is a song about two people meeting in a bar and hitting it off. Soft, light, and most importantly, it's a true story for countless people.

Please note: This text is protected by copyright and may not be copied or used for other purposes - even in parts or in revised form - without the expressed permission by Premium Lyrics.

Select your license (10 out of 10 licenses still left)

License group 1: non-commercial use

License group 2: commercial use with limited right of reproduction

License group 3: commercial use with unlimited right of reproduction

Here you find more information about our Licensing models.

Add to cart Wishlist

She said, "I seen you lookin' at me And smiling" "Yes, ma'am, I've been lookin' at you A while, and You're pretty as a picture Even when you're trying to hide" She said "There's a lot more than me in here to look at" But, girl, I don't know anything about that And then she asked me "Why" I told her they didn't have her eyes I said "If you don't mind I'd like a chance to chat I don't see nothin' wrong with that" (Chorus) And what's so wrong with that How can you fall in love if you don't ever meet So would you like to dance You'd be just right for my left feet Maybe I could call ya if we get along Maybe I could stop by and sing ya a song Maybe if you gave me a chance... And what's so wrong with that I told her "Life, they say Is all about the timin' I read it on a t-shirt So they can't be lyin'" And she just laughed at loud And I stood spellbound by her smile I opened up 'bout the one that done me wrong And she joined right in and we rolled along Then she ordered up a drink Something fruity, sweet and pink I looked down at my whiskey And I started to laugh She asked 'What's so wrong with that?" (Chorus) "Last call," they said, she asked "Are you driving?" "Girl, I don't even wanna step outside, it Feels so right in here Like I've known you now for years She smirked and said "That's what guys always say" I said "I bet they do, once they've seen your face" She looked deep and twirled her hair It smelt like jasmine in the air I said "We can go eat I can call us a cab" She didn't see nothing wrong with that (Chorus)

© Brian Hendrix 2020

Any opinions that may be interpreted within the lyrics on this site will be those of the individual author, and do not necessarily represent those of Premium Lyrics.

More search results

Woman's Duality

By Brian Hendrix


A song I started writing many years ago. Dug it up in a very old .doc file, figured I'd try to touch it up and finish it. Being frank, I doubt this is one that'd ever strike it #1, though it's a strong track for any country or folk album. This is one of those songs that actually has quite a lot to say in very few words. I'm happy and proud with how it turned out. The last verse is my favorite, though it'll just read as XXXXX here. Though if anyone likes the first few verses, the last one is the strongest. It says the most metaphorically in the least amount of words. That's what songwriting's supposed to do, I guess. I like it enough to include it here. Plus, this is the way many men feel. Women with their contradictory nature at times... it can get -- well, let's just say "odd."

View lyric

Cool Mountain Air

By Brian Hendrix


I was driving up the mountain to visit my brother and I remarked to my mother who was driving that the air must have dropped about 20 degrees halfway up. It was very chilly, and I guess this song sorta floated in on the wind, as the entire time at my brother's house I was looking to write this chorus down before I forgot it. The rest of the song built around that, and I'm really thrilled about the final result and how this came out in the end. This is a situation a lot of rural/southern people go through. People close to us don't feel stuck to the land; they feel drawn to the big city. We often wish they'd come on home, where they belong.

View lyric

Baby You're Mine

By Brian Hendrix


Wow. Can't believe I never posted this. Had this written for a while. I remember right after I thought of the main line here, which inspired the song, "Baby, you're mine," and the way I said it, that this was one of my top-20 songs before it was even finished. Yeah. I love this song. "Baby, you're mine... baby you're mine." The way it works for me, the second time is a lot quicker, which makes it sound very cool to sing. That's how I do it. Also, the verses immediately bleed into the chorus; that's just how it's set up.

View lyric

Haven't

By Brian Hendrix


This one is very much the "teen of the '90s" Kurt Cobain, Chris Cornell, Layne Staley that lives in my head. It's not nihilistic; it just is what it is. No chorus. For me, it's just acoustic between verses. Though the last line of each verse does pick up in inflection and tempo, so maybe that counts.

View lyric

Sad Guitar

By Tony Lawrie


A wistful lament about playing blues guitar

View lyric

Pride

By Jordan Lewis


Heartbreaks, overthinking, and self worth are all things we think about either while in or after a relationship

View lyric

Sad Fact of Life

By M P WEISS


Life is cruel and dangerous, mentally, physically and emotionally. This piece reflects upon this, starting all broken and slowly pieces it together to make something beautiful.

View lyric

Überfragen

By Christian Kühn


Der Text handelt von aktuellen Problemen, auf die es kaum Antworten gibt, aber dennoch beschäftigen und zum Nachdenken anregen.

View lyric